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	<title>Comments on: Ben Brantley puts the Mamet back into Mamet</title>
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		<title>By: Adam Bradley</title>
		<link>http://praxistheatre.com/2009/10/ben-brantley-puts-the-mamet-back-into-mamet/comment-page-1/#comment-2025</link>
		<dc:creator>Adam Bradley</dc:creator>
		<pubDate>Sat, 14 Nov 2009 18:09:25 +0000</pubDate>
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		<description>While I generally agree with Brantley&#039;s post, I feel obliged to point out that he&#039;s conflating &quot;technique&quot; with &quot;style&quot;. That Mamet&#039;s plays are written with a particular style in mind (consisting largely of the pace of the dialogue,) they do not dictate the actors&#039; technique; conversely, using Mamet&#039;s acting technique does not necessitate performing a scene in a particular style. 

If Mamet&#039;s technique suits his plays, it&#039;s because his plays are (mostly) well-written stories, and his acting technique is an effective means for bringing a story (any story) to life.</description>
		<content:encoded><![CDATA[<p>While I generally agree with Brantley&#8217;s post, I feel obliged to point out that he&#8217;s conflating &#8220;technique&#8221; with &#8220;style&#8221;. That Mamet&#8217;s plays are written with a particular style in mind (consisting largely of the pace of the dialogue,) they do not dictate the actors&#8217; technique; conversely, using Mamet&#8217;s acting technique does not necessitate performing a scene in a particular style. </p>
<p>If Mamet&#8217;s technique suits his plays, it&#8217;s because his plays are (mostly) well-written stories, and his acting technique is an effective means for bringing a story (any story) to life.</p>
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