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by Shira Leuchter

Last month I was able to spend an afternoon with Frank Cox-O’Connell and Evan Webber (and Christopher Stanton on the sound board) as they worked on their piece Ajax.

This intimate piece will be staged alongside Little Iliad this spring. I was able to watch them work through two sequences – the beginning and the end – of the piece. The show will only accommodate a very small audience so I’d urge you to book tickets really early – all of the tickets for this year’s World Stage season have just gone on sale on November 1^st.

Materials: Vellum, Tape

About the show: Ajax & Little Iliad will play from April 4-8, 2012 as part of this year’s World Stage season at Harbourfront Centre.
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Shira Leuchter makes performance stuff and other art stuff. She recently worked with UnSpun Theatre on a new piece that was performed as part of Harbourfront’s HATCH program.

Her website is here and she collects all of her shallowest thoughts here.

He kissed the girl
in the ballerina skirt.
It was a long one –
like the kiss –
drenching her sneakers
in tulle.

Image:

Sound:

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One Block examines how each of us is shaped by our physical environments, by the people who have surrounded us, and by the histories that swell under our feet. Unspun Theatre imagines an investigative romp that explores a convergence of ideas about landscape and story. Part of the Harbourfront Centre HATCH season.

Saturday, April 16, 2011

8:00PM Studio Theatre

York Quay Centre, 235 Queens Quay West

Click here for tickets.

Dave Tompa on how he scored the juicy role of an NDP Member of Parliament in Praxis Theatre’s Section 98

Praxis Theatre’s one-night-only workshop presentation of Section 98 is finally here.  Do you have your tickets yet?  Last night we had an invite-only dress rehearsal, and we learned a lot.  In particular, after all these years of audiences being told to turn their cell phones off, we’re finding it a bit of a challenge to encourage you not only to leave them on, but to actually put them to use during the show.  So we’re hoping to see you and your cell phones at the Harbourfront Centre tonight at 8pm.

Check out Praxis Theatre’s Co-Artistic Director Michael Wheeler talking to Harbourfront about our “Open Source” show, and why you need to bring your phones.  See you tonight!

Harbourfront Centre’s Upfront talks “Open Source Theatre” with Praxis Co-Artistic Director, Michael Wheeler

Okay so you know you want to make theatre and you know it will be cool and awesome like nothing anyone's ever seen. Now what?

by Michael Wheeler

Theatre Centre Managing Director Cathy Gordon and I are speaking at University of Toronto tomorrow. There is an official post about it on the University College website (note the not-so-subtle use of ivy in their web identity), and a facebook event page as well.

Ostensibly we are talking about how to approach public funding for theatre projects and companies. We have some handouts and concrete ideas about that part. What arts councils, what granting programs, what deadlines, etc.

The real story – as most Canadian arts practitioners will tell you – is not one of knowing how to fill out the right form, at the right time, with the right words. It’s my theory (having never been on a granting jury) that the single biggest factor in the success of a grant application is whether or not the applicant had demonstrated a history of excellence. Are you someone who has a history of making compelling art?

So the most immediate question for all of these soon-to-be-graduates is how to approach these sorts of questions: How can you establish a track record and a good one? Should you start a theatre company? How do you pay for things without grants in the beginning? What sorts of projects should you pursue? Are you doing it to leverage your identity as a performer or to create a cohesive ensemble? Why?!?

I’m pretty sure coming up with good answers to these sorts of questions is what leads to grant applications eventually being successful. There aren’t any singular right answers to any of them, but they all require conscious and considered answers.

What do you think readership? What other questions should fresh graduates be asking themselves as they prepare to embark on a theatre career in 2010? Also, please tell me if you think I’m wrong about the excellence thing. What else is important to consider?

Image by Lionoche under a Creative Commons license

Harbourfront Centre and Buddies in Bad Times Theatre invite you to participate in a FREE, three-day workshop with Glasgow-based artist Adrian Howells, delving into the process and considerations related to autobiographical, confessional and intimate performance.

Howells has been a performance artist for the past 20 years. He creates work that promotes intimacy and genuine exchange with the audience in one-to-one, autobiographical and confessional contexts, in a range of non-traditional performance spaces. He has developed work investigating sexuality, social taboo and social conventions in public space and private situations. Howells is a recognized artists and performance professor at the University of Glasgow, with extensive experience in workshop facilitation and lecturing for high school and university students, professional artists and community groups.

HATCHLab is a peer-to-peer learning opportunity presented as part of our HATCH: emerging performance projects and World Stage programmes. The mandate of HATCHLab is to link the local performance community with international peers and practices. Past HATCHLabs have been facilitated by New York’s The TEAM (Theatre of the Emerging American Moment), Australia’s Back to Back Theatre and UK’s Stan’s Cafe.

Space is limited. If you are interested in taking part contact: hatch@harbourfrontcentre.com for more information.

“Currently an employment opportunity exists in our Design Communications Department for a contract Social Media Specialist. Reporting to the Web Site Content Administrator, this position will be responsible for the execution of all social media strategies for Harbourfront Centre and its programmes to enable further interaction and engagement with our diverse audiences and increase brand awareness and website traffic.”

Click here to read the full posting.

May the most savvy social media/arts and culture integration expert win!