Are there specific economic/popular alliances a production has to have (or not have) to be considered “independent”?
]]>I think the quality thing is just a reflection of many people having had the misfortune of being stuck in a really bad show. Unlike the movies, you can’t leave. All those things that make theatre so powerful when it’s good – the immediacy of being in the same space as the performers – the sense that it will only be this way once – also make the show that much worse when its bad. So people want increased quality. And who can blame them? There’s increased risk compared to going to a film. At least if you go see the Leafs and they suck you can still have a couple of beers and talk to your buddy. When theatre lacks quality you may do nothing but suffer in silence.
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