I actually emailed Marcus Youssef of Neworld, and they are in talks to get a reading going in the fall. Thanks for showing your interest in the west!
]]>That was me as Praxis Theatre earlier. I forgot to switch accounts when I commented.
Also, regarding earlier stuff, I did some research and the mayor does not have a veto. When Passe Muraille was sold to the city, agreements were put into place that prohibit the the city from influencing programming. So the B’nai Brith position is effectively without any legal merit, not that anyone I have spoken to is taking it very seriously.
Rachel, it would not take much to take it happen. Is there anyone else in Vancouver following along that would like to participate?
]]>I think what’s really great about this play is that it’s forcing people to have a conversation. And to talk about many issues that are so frequently taboo. I agree that the play is not anti-semitic. But it has become the catalyst for a conversation about the difference between anti-semitism and criticism. Anything that can encourage us all to intelligently debate such relevant societal issues has value and should be produced.
“I would argue that a “communal theatre” has more of a responsibility to stage works about issues that cause discord.”
Here, here, Michael Wheeler…
]]>Also, I might add that this play has never been presented in your current location of Vancouver…
]]>“We call on Mayor Miller to ensure that our tax dollars are not inadvertently being used for the promotion of a play whose thrust is antisemitic. It is unthinkable that the City would allow this communal theatre to be used as a venue for promoting hatred and discord amongst its citizens, as this play threatens to do.””
Now that the City owns Passe Muraille does this mean that Andy McKim is not a sovereign Artistic Director anymore?
Can the theatre only put on safe work that explores topics everyone agrees on already or the mayor will issue a Presidential veto? I would argue that a “communal theatre” has more of a responsibility to stage works about issues that cause discord.
Finally, Passe Muraille isn’t even presenting the play, they are simply renting to Crow’s Theatre. In general, should they be policing this work also top guard against material that presents stories that are against the public interest?
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