Is it moral to fun older artists but not younger ones?
Is it moral to create a superstructure that creates a perpetually semi-pro poverty condemned status for theatre creators?
Is it moral to fire a founding artistic director over a capital campaign without informing all board members?
also
Is it moral to raise $14 million (minimum) for a building that pays homage to the work of traditional text-based work by older more established artists given questions #1 and #2?
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