“I begin with the etymology of ‘settler’ as a thing or person that settles, within the etymology of ‘settle’ as a thing or person that ‘comes to rest,’ that establishes a ‘permanent residence.’ But ‘settle’ also belongs etymologically to ‘reconcile’ or “reconciliation,’ which in turn belongs to ‘bring together’ (again), to ‘make friendly, and to make consistent.’”
Tahirah Stanley is an actor/activist in Toronto. She is also the Founder/Project Coordinator for a project called Theatre for Peace. Theatre for Peace is a project that seeks to empower youth, ages 14-18, through the performing arts (acting, singing, dancing, spoken word etc). Over the course of the past 3 months the youth worked with professional artists to develop monologues, dances, songs etc. All of the pieces were then compiled and put together to make a show; OUR STORY.
OUR STORY is a play that is written and performed by the Theatre for Peace participants. It is about their experiences with love, defeat, violence, friendship, and discovery, among many other things. Through OUR STORY you will get a glimpse into the lives of these young people through the dramatic retelling of the issues they face and the joys they find being a young person in today’s society.
Our Story will be taking place today @ 2:30pm @ 60 Rowena Drive. Check out the poster for more information.
Ben Lewis appears in Other People, the story of three ambitious young New Yorkers who struggle with sex, desire and their art over Christmas in NYC’s East Village.
There is a village
which sits on my shoulders
like a vulture …
Despite this
O my village
I uninvited relate with you
as you fly
within and outside of me
like a vulture
Soup Can Theatre‘s critically acclaimed show Love is a Poverty You Can Sell is returning to the stage as part of the 2012 Next Stage Festival.
The show pays tribute to the timeless music and musical influence of German composer Kurt Weill with a production that marries the bold and naked theatrical style he and writer/director Bertolt Brecht pioneered with the bravado of traditional musical theatre – all with the ambiance of a 1920′s Berlin cabaret program.
Readings in the Rough Play reading Series presented by Fairly Lucid Productions invites the audience to play a part in the dramaturgical process of writing a script. In an open discussion the audience helps to form what the play can become in this important stage of first public readings.
The playwright will present a few questions to you prior to the reading. Once you watch, you can then provide feedback for the playwright that will assist in their next stage of redrafting. The series will feature a new play every two months from around the world.
“In creating the man that we want to be, there is not a single one of our acts which does not at the same time create an image of man as we think he ought to be. To choose to be this or that is to affirm at the same time the value of what we choose, because we can never choose evil.”
~ Jean-Paul Sartre, from the 1945 lecture “Existentialism Is a Humanism”.
In 2005, unbeknownst to almost everyone, theatre and dance artists Ame Henderson, Chad Dembski, and Jacob Zimmer spent a summer at Hub 14 making a “play”. Six years later, after more than a dozen shows and national and international tours, they return to spend another August at Hub 14.
Perhaps in a Hundred Years is a tender science fiction story about three friends stuck in outer space, waiting for the future to arrive. Despite an almost overwhelming pessimism for the long term future, which many of us share, Perhaps in a Hundred Years endeavors to keep it upbeat, or at least tenderly, militantly, hopeful.
Rebecca Buttigieg is the playwright behind Fierce Monsters, which The Pop Group presents as a staged reading, featuring Margaret Evans, Laura Nordin, Keith Barker, and directed by Jody Hewston.
Sunday, July 31st at 7pm
The upstairs bar at Victory Cafe (581 Markham St.)
“After the years and years of weaker and waterier imitations, we now find ourselves rejecting the very notion of a holy stage. It is not the fault of the holy that it has become a middle-class weapon to keep the children good.”
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