The CCLA has messaged members through email and social media encouraging participation in staging the play, and has partnered with us to create panel discussions on broader issues facing civil liberties in a number of the cities we are travelling to.

This Tuesday, following the 8pm performance of #G20Romp, we will continue the discussion about G20 Toronto with a discussion of many of the issues the play raises. Years after the largest mass arrest in Canadian history there are many unanswered questions, developments, and non-developments with regards to police actions at the Summit.

Last week, CCLA published: “Take back the streets”: Repression and criminalization of protest around the world. We look forward to a robust discussion of the issues facing protest and dissent.

Click here to buy tickets.

Civil liberties and protest in post-G20 Toronto

Aki Studio Theatre @ Daniels Spectrum – 585 Dundas Street East.

Tuesday October 22nd: Show @ 8pm  panel @ 9:30pm.

@PraxisTheatre will be livetweeting the discussion on Twitter via #G20Romp

Moderated by: 

Praxis Theatre Artistic Director Michael Wheeler

Panelists:

Abby Deshman – CCLA: Director, Public Safety Program

Abby graduated from University of Toronto faculty of law in 2008 and has an LLM from New York University law school. She has been a program director with the Canadian Civil Liberties Association for four years, and is currently the director of the public safety program. Her program area touches on all aspects of CCLA’s work on criminal justice, police powers, police accountability and privacy.

Leading up to the G20 she coordinated CCLA’s advocacy efforts on policing and protest, and during the meetings she led a team of independent observers monitoring police conduct. She interacts regularly with police forces across the country on issues of protest and policing and oversees the CCLA’s involvement in the struggle for post-G20 accountability.

On Tuesday, she will begin the day by heading up to OPP Police College to give a lecture to new Public Order Unit Commanders on protest rights.

Jan Borowy – Cavalluzzo

Jan Borowy’s practice areas include labour relations, human rights, pay equity and professional regulation. Jan brings to her practice a longstanding commitment to the promotion of workers’ rights and human rights. Her experience gives her an understanding of the importance of a clear strategy in union negotiations, campaigns, strikes, organizing and educational programs.

Jan is the former Research Co-ordinator at the International Ladies’ Garment Workers Union, where her work focused on a campaign for fair wages and working conditions for garment home-workers. She further developed her advocacy skills as the Worker’s Rights Community legal worker at Parkdale Community Legal Services. At law school, Jan developed an expertise in Aboriginal law and issues facing Aboriginal workers.

Jan’s experience within the firm has included close involvement in the representation of private sector and public sector workers before labour arbitrators, the Ontario Human Rights Tribunal, the Pay Equity Tribunal and the Ontario and Canadian Labour boards. Jan is a member of the Canadian Association of Labour Lawyers and the Canadian and Ontario Bar Associations.

Tommy Taylor – Writer/Performer: You Should Have Stayed Home

Tommy is a theatre artist, activist and NGO fundraiser living in Toronto. Recently Tommy was assistant director/video designer on The Belle of Winnipeg (Dora Winner), adaptor/director of Dear Everybody at the CanStage Festival of Ideas and Creation and director of Kayak at The SummerWorks Festival. He is a graduate of the Centre for Cultural Management (University of Waterloo/ CCCO), The Vancouver Film School and Humber College’s Community Arts Development Program.

Tommy was arrested (but never charged) and detained during the 2010 G20 Summit in Toronto. He has since turned his account of the experience into You Should Have Stayed Home. The show is on a cross-Canada tour for Fall 2013, playing in Whitehorse, Vancouver, Toronto, Montreal and Ottawa.

by Aislinn Rose

Tonight, as part of the Theatre Passe Muraille Buzz Festival, The Original Norwegian and Praxis Theatre will be presenting a 20 minute reading from our new collaboration, You Should Have Stayed Home. After tonight’s reading, the piece will be developed further with a workshop in May, and we are proud to announce that we have been offered an opportunity to present the full piece in August this year as part of the 2011 SummerWorks Festival.

Based on a Facebook note called “How I Got Arrested and Abused at G20 in Toronto, Canada”, You Should Have Stayed Home details how Tommy Taylor experienced the billion dollar G20 in Toronto in the summer of 2010, with the good times including processed cheese slices, condom balloons, and the total dismissal of his civil rights. You can read the entire Facebook note here.

For more information about tonight’s reading at the Buzz Festival, take a moment to RSVP to our Facebook Event. If you’d like more information about the team collaborating on this piece, you might be interested in an earlier Google Chat between the writer Tommy Taylor, and the director Michael Wheeler, which can be found here.

Tommy was also the subject of a 5th Estate Episode, which can be seen in its entirety here. We hope to see some of you at the Buzz Festival tonight, and look forward to receiving feedback on the work. If you can’t attend, but would like to be kept informed about the show as it is developed and presented, send us an email to info@praxistheatre.com.

The essentials for tonight:
Theatre Passe Muraille
16 Ryerson Avenue, Toronto
7:30pm
Come out and support the other great artists showing there work tonight as well!

//www.youtube.com/watch?v=na1hIBSbMIU

“You Should have Stayed Home” the documentary airs tonight on CBC. The play gets workshopped this spring and presented soon after.

by Michael Wheeler

How I Got Arrested and Abused at the G20 in Toronto, is one of the first Facebook notes I can think of that practically everyone I knew had read or had at least heard about. Says a little about the circles I move in, but whatever. I had never met its author, Tommy Taylor, but I knew he was in theatre, and I remember taking a little pride in the fact that the person who had responded most scathingly and appropriately through social media to the G20 debacle was one of us.

So when Tommy contacted me to see if Praxis Theatre would like to collaborate with his company The Original Norwegian to adapt his facebook note for the stage, it only took one beer with him and collaborator Julian DeZotti to ensure we would get along, to jump at the opportunity. As a company dedicated to new works by local artists, many of which have been adaptations, this project made a lot of sense for Praxis Theatre in terms of taking what we do, and pushing it one step further by adapting a html social media document. Throw in that we have heavily leveraged our political and online engagement as a company, and it does seem like an awfully good fit.

To celebrate this new collaboration and I interviewed Tommy on GChat earlier this week.

9:10 PM

me: So what made you choose, “You Should Have Stayed Home” as the name of the piece you have chosen to make about your experience at G20 in Toronto?

9:18 PM

Tommy: The documentary on tonight’s The Fifth Estate on CBC, which I appear in, is also called “You Should Have Stayed Home.”  (So now people have commented online that the CBC is being callous, rude or that they are “a government pawn”.) So, I rung in with: “I called it that because that is what most people said to me afterward.”

The documentary explores what is wrong with that statement–it attempts to see past the sensationalizing of broken windows and burning cars to show the truth of what happened that weekend. “You Should Have Stayed Home” is not the literal or glib title you might think. I was held in detention for 24 hours and it was horrible, but what I found to be more horrifying was the way average Canadians reacted with apathy and indifference… thus “You Should Have Stayed Home”.

9:19 PM

me: When you say commented online – do you mean on your Facebook page or other places?

9:21 PM

Tommy: Oh, the Facebook. That’s where a lot of G20 talk happens. Different groups, my page, other activists’ pages, Dalton McGunity’s page…

9:22 PM

me: So, speaking of Facebook – this is how I heard about your experience. You wrote this 11,000 word Facebook note complete with video and images – want to throw out some other stats about it?

9:25 PM

Tommy: Facebook is how everyone heard about it. Since I published it on Tues. June 29 I have received about 5,000 messages from about 21 countries and it’s been translated into 7 languages by various people. I went from around 300 ‘friends’ to around 1,300.

9:26 PM

me: How long after G20 did you write it and why did you decide to?

9:27 PM

(i also love that we have to qualify statements to clarify that actions were taken by people not computers)

G20 Detention Centre

9:37 PM

Tommy: Well, after I got out of the detention centre on Sunday night around 10pm, I hadn’t slept for 40 hours, was cold, starving, dehydrated, no means to get home, no idea where my girlfriend was and running the whole thing through my mind so I wouldn’t forget. And it was raining (our apartment flooded while we were caged up – amazing end to a wonderful weekend in T.O.). Having made it home, I made phone calls to loved ones, changed my wet socks, made notes on badge numbers, names and times, and I still couldn’t sleep.

I got on the computer very early Monday morning and started typing until I was finished Tuesday morning at 11:07am. And why Facebook? I was never a huge fan of Facebook outside of using it for marketing/promotion theatre-wise, but I just wanted to get this out there as fast as possible and to as many people as possible. I also wanted it to get to people who knew me and would take the time to read it. I was afraid that everyone was just seeing the Yonge street mess and missing the important stories from G20.

9:38 PM

me: Kerouack would like this creative process.

9:40 PM

Tommy: Toronto earthquake to signal the start of G20, a flood to end it. Eat that pathetic fallacy King Lear.

me: So, now you have decided to get your theatre company The Last Norweigan, together with Praxis Theatre to make a play based on your note? Why make a play?

Tommy with wristband and evidence bag wearing a T shirt fraught with irony

Tommy:The Original Norwegian….

Awkward.

kidding

9:41 PM

me: I wonder if i will leave that in or not…

9:42 PM

Tommy: Sounds like a Scandinavian take on the Last of the Mohicans

9:43 PM

me: I would rather it was a Scandinavian take on The Last Starfighter

Tommy: Or a Scandavian take on The Last Unicorn.

9:44 PM

That brings us back to the play I think.

9:58 PM

Tommy and Kate went to get slushies and got home a little later than they anticipated.

Tommy: It’s going to be a funny show. After I got out I was angry. Very angry. I did the classic movie angry-guy-punching-a-wall, I was a wee bit broken coming out of there. Then I began to write, began to react in a way that I know how: creating and using humour – that’s how I work through things. Which sounds like lame artsy talk I know, but too bad because it’s true.

Creating a show about the experience was rattling in my head as well, but I needed to write about it first. At the time I wrote that note my friend and theatre cohort Julian DeZotti was away at 1,000 Islands Playhouse. When he finally read about it he got an email to me stating “We’re going to turn this into show! This is outrageous!” and other words of encouragement. Other people said similar things to me about “you gotta make this a play” and in my mind I was saying “I know! I will!”

Then came activism and educating myself on what made G20 possible. There is such a never-ending stream of important causes and information that I got very swept up. It took me about 6 months to react to this as an artist. Which for me, is nuts. I always have my artist hat on for every experience, it’s all fuel for creation – but this got to me on a whole new level. I want to share the insanity of that weekend, why it’s changed me and all the insanity that’s come afterward. A lot of it still makes me laugh. And cry. Laugh-Cry.

me: And so now there is this CBC doc coming out about G20 that you appear prominently in and is named after the piece of theatre you have chosen to make about it. This is pretty good press for a show that hasn’t been made yet when and where can people check it out?

10:17 PM

Tommy: The CBC doc is Fri. Feb 25th at 9pm. The Facebook note went viral and my story appeared a lot of places (online, print, TV). I wound up speaking at a number of rallies (in fact, I got engaged to my beautiful girlfriend and fellow detainee Kate on the Canada Day Rally the week after G20) and I kind of became popular in the world of G20 Toronto.

Lets get engaged!

(Quick note – the CBC website for the doc already has 23 comments and it hasn’t even aired. Here’s a user comment: “as of now it is well established beyond any doubt that all those so called protesters were ‘Bandits In Disguise’ out to achieve their sole objective of creating mayhem and spreading chaos”)

10:19 PM

me: Oh yeah – you and your fiancee Kate got engaged right after this all went down. So really this both is a comedy and a love story then.

10:21 PM

Tommy: Aren’t all love stories comedies, Michael?

me: Fair. Would you take a pic of yourself with your computer for the top of the post?

This spring we will be holding a 3-day workshop of You Should Have Stayed Home, culminating in a public reading of some sort on the final evening. Stay tuned to this website and here for more details.

We hope to see you there and get feedback on what the heck should and should not be in this piece of theatre. We are going to move fast on this one as a three-year workshop process isn’t going to be useful to anyone.

The Carnegie Library at 1115 Queen Street West will eventually become a permanent home for The Theatre Centre

by Michael Wheeler

1

A permanent home for The Theatre Centre

The Theatre Centre has existed in many locations since being founded in 1979, began a research and development program for Toronto indie theatre in 1984, and updated this practice in 2004 to its groundbreaking residency program now in place. It is an established leader in boundary-pushing, innovative and challenging approaches to performance and has nurtured and developed the talents of many of the city’s top artists.

In April, City Council offered the long-term lease of the former Carnegie Library at 1115 Queen Street West to The Theatre Centre as sole tenant. After 48 years of closure to the public, residents of Toronto will be able to enjoy the building once more.  More money still needs to be raised to bring this much needed resource and home for a community into reality, but this first step, and the commitment of a number of key foundations to support this move, is my #1 pick for 2010.

2

Citizens Against Proroguing Parliament

What? Yep. That was this year. Can you believe it? Hoping Canadians wouldn’t notice their democracy being shut down by framing it as a “procedural issue” Prime Minister Stephen Harper prorogued Parliament to avoid questions about the treatment of Afghan detainees and was met with impressive organization online and in the streets. It’s hard to tell what was more heartening: a single Facebook page becoming an overnight organizing megaforce or 200,000 Canadians asserting their right to live in a democracy coast-to-coast with a single voice. It’s a good thing we finally got to the bottom of that whole Afghan detainee thing….Oh – wait a second!?!

3

Rosie DiManno

For real. This is not a joke and I am not being ironic. Turn your theonion.com filters off for a second: I get it. There was a point in my life where I was ready to start a “Bring Back DiMannoWatch” Facebook Page. Then Rosie became the only reporter in Toronto interested in capital “J” journalism as it related to G20. Instead of recycling myopic statements by subjects with much to hide, DiManno has been doing the work The Toronto Police Force and, well, every other journalist in the city, was unwilling or unable to do. She has already achieved tangible results by bringing the facts to a place where the public can interact with them and forced me to remember that human beings are often complicated and contradictory creatures.

4

People who did the thing they said they would do, in the time alloted, the way they said they would do it

Most successful endeavours this year were likely based on your contributions.

5

Summerworks

Summerworks is one of the most important theatre festivals for new independent performance in the country. Some of the shows produced there may not or may not speak to Conservative values, and the festival may or may not have submitted a grant late at a certain point. None of this changes the important role the festival plays in Canada’s performing arts ecosystem and the opportunity it presents for emerging artist/entrepreneurs to jumpstart their own careers.  The recent move to Queen W. and the inclusion of independent music are also a big plus for making it an event with wide community appeal.

Cardinal Clement was concerned data from the census could establish facts that differed from official state doctrine

6

Munir Sheikh

Whatever ideological differences we may have with one another as citizens, it is not acceptable for the government to act as if the Enlightenment didn’t happen. Facts are relevant, data is important and logic can only be ignored at our peril.

7

Sidney Crosby

An overtime sudden-death goal to win the final gold medal of an Olympic games, at home, simultaneously making your country the one with the most gold medals at the games, and establishing a new record for gold medals by a country at any Olympic winter games. Our grandchildren will be jealous.

8

praxistheatre.com comment of the year

I would like to acknowledge the highly subjective “winner” of this category each year in this space. Even though I just interviewed Brendan Gall six weeks ago, if we’re going to base these things on merit, I believe he was also the clear winner of ‘Comment of the Year ’ for his response to our February post: “How Do You Get a Grant?”

9

The moderate growth of the theatrosphere

Although there is plenty of room for many new projects at the intersection of online tools and performance, 2010 was the year many companies committed to expanding their artistic practice online. From interviews with Studio 180’s creative team, to checking out pics Obsidian Theatre had uploaded of a cast member transforming her appearance, to Alberta Theatre Projects creating an audio mixtape from online submissions, to hearing from a flow of artists creating new work through the ‘My Story’ posts on The Tarragon Theatre Facebook Page – this was a significant year for the integration of social media tools with performance.

10

Beautifulcity.ca

It’s still unclear whether any of the funds from the City’s Billboard Tax will reach their original target of “public art” to offset the visual pollution caused by billboard advertising as originally intended, recommended by city staff, and supported by a majority of Torontonians. Ten years from now, the real value of this movement may be the politicization and organization of a generation of artists and community activists.  This is a new cohort of engaged citizenry that understands how to communicate through social and mainstream media and is determined to have an impact at City Hall – not just for arts funding – but to contribute to a city that is understood as a community and is based on inclusive values.

Naomi Klein addresses a capacity crowd at The Great Hall during a Department of Culture organizing meeting just prior to the 08 federal election

November 11, 2010 @ 1087 Queen St. W.

7:00pm
Pre-event with Naomi Klein
Food and drinks provided
Tickets: $100 available at GalleryAC (includes pre-event and main event)

8:00pm
Naomi Klein, Hawksley Workman & LAL
Hosted by Martha Chaves
Tickets: $50 in advance / $60 at the door

Tickets available online at Gallery AC
In person at Rotate This, Soundscapes, Toronto Women’s Bookstore and Another Story

Facebook event here, and while you’re at it, why not follow Naomi on Twitter here

Full event info here

Hey – remember a few months ago when the federal government elected to turn downtown Toronto into a police state, the provincial government violated the charter  creating phantom laws they later claimed never existed, while the chief of the municipal police force admitted to consciously lying to the public and the media throughout a weekend that resulted in the largest series of civil rights violations in Canadian history?

I do.

So do those arrested under fictitious charges and draconian bail conditions that are a blatant attempt to criminalize dissent. Disagreeing with the government is not a crime. Preventative arrest disregards many of the basic tenets of a legitimate democracy. Police officers that remove their name tags while assaulting peaceful demonstrators in a government sanctioned protest area face at worst a $300 fine, while social justice advocates who engage in their democratic rights face tens of thousands of dollars in legal fees and an uncertain future.

If you got 50 bucks – democratic principals and rule of law ain’t going to restore themselves.

New bail conditions placed on activist Alex Hundert mean he is now banned from speaking to the media. This bail condition comes after he was arrested for speaking on a G20-themed panel at Ryerson University which was deemed by police "attending a demonstration" - also against the law in his case.

by Michael Wheeler

Only total disregard  and contempt for democratic rights could lead to a Canadian citizen being informed he or she may not speak on a university panel or to the media or they will be arrested. Especially when that person is talking articulately about the largest series of mass arrests and civil rights violations in Canadian history.

The police and Crown justification to this “unprecedented” infringement of rights is that allowing Alex Hundert to speak may endanger public safety. This excuse is so poor, distasteful, and utterly unconvincing, that it is an unmitigated insult to anyone who just wasted brain power considering it.

Bottom line: we have a constitution that means something (The Canadian Charter of Rights and Freedoms), or we do not. For it to exist in any meaningful way, it must enshrine the right of citizens who wish to speak both for and against the government. If it doesn’t do this very basic job then it totally useless, and Canada is one-step from being a tinpot dictatorship. “Rights” as we understand them in our society are beginning to have anything other little more than a cursory, symbolic meaning. If this ruling stands, it is safe to say we no longer live in a free and democratic society.

Now I am not a lawyer. I have never even taken my LSATs – but a cursory glance at the Charter indicates nine different rights the Crown and police have violated in this case:

Fundamental freedoms

2. Everyone has the following fundamental freedoms:
(a) freedom of conscience and religion;
(b) freedom of thought, belief, opinion and expression, including freedom of the press and other media of communication;
(c) freedom of peaceful assembly; and
(d) freedom of association.

Life, liberty and security of person

7. Everyone has the right to life, liberty and security of the person and the right not to be deprived thereof except in accordance with the principles of fundamental justice.

Detention or imprisonment

9. Everyone has the right not to be arbitrarily detained or imprisoned.

Arrest or detention

10. Everyone has the right on arrest or detention
(a) to be informed promptly of the reasons therefor;
(b) to retain and instruct counsel without delay and to be informed of that right; and
(c) to have the validity of the detention determined by way of habeas corpus and to be released if the detention is not lawful.

Proceedings in criminal and penal matters

11. Any person charged with an offence has the right
(a) to be informed without unreasonable delay of the specific offence;
(b) to be tried within a reasonable time;
(c) not to be compelled to be a witness in proceedings against that person in respect of the offence;
(d) to be presumed innocent until proven guilty according to law in a fair and public hearing by an independent and impartial tribunal;
(e) not to be denied reasonable bail without just cause;

Treatment or punishment

12. Everyone has the right not to be subjected to any cruel and unusual treatment or punishment.

Read more here in The Toronto Star

Normally we like to keep things on this website theatre related, but this video released five days ago by Broken Social Scene relates to two ongoing conversations on praxistheatre.com:

1 Open source collaboration with your audience to create art?

The video was released with the following statement by BSS:

“This video was made as a response to the G20 Summit in Toronto June, 2010. The rest speaks for itself. It was sent to us by a lover of our music who wants to remain anonymous. We are very proud to share this mash-up with you.“

In our March 2010, Harbourfront HATCH workshop of Section 98, which also looked at civil rights abuses, Praxis used an open source development process that solicited feedback and material from our audience over the web. Some of this informed our process and discussions, while some feedback ended up making the final text we staged. Looks like in this case the band has received a great video from the internet, and adopted it as part of their artistic process.

What do you think: Is this “open source” method of creating art a passing fad or a new development in how the interweb will be impacting the creation of contemporary art?

2 What is the artistic response to G20 Toronto?

Well here ya go. Here is a world-renowned group of Toronto-based artists making a statement about what happened here during G20. Well actually someone else made the statement, and they agreed with and approved it. It begs the question, “What was the song Meet me in the Basement about to the band BEFORE the video?” Or does it ? Does music even get made that way? I don’t know, I’m in theatre.

What do you think about the combination of this song and this video? Is it effective, accurate, insightful? Any other positive or negative adjectives you would attach to this work?

by Michael Wheeler with photography by John Lauener

I am a very different citizen than the one who attended the Informing Content workshop presented by Volcano Theatre with Deborah Pearson in conjunction with University of Toronto’s Centre for Ethics as part of The Africa Trilogy at Luminato.

One weekend I was an upbeat artist interested in how we could consider tough ideas to create an artistic response to difficult questions facing us as global citizens. The next weekend I watched all manner of Torontonians interested in solving these same problems criminalized and incarcerated in hundreds of civil rights violations throughout the city.

So there is a whole different version of this post – half-finished, abandoned in the middle of the Charter-rights meltdown that was G20. It considered each of the works presented, the moral questions they were trying to consider, and my response to them in as a middle-class Canadian. It would probably have been an excellent resource for final reports for grants.

I erased it, because the new me, the one that is horrified at the violent resources my country is willing to invest in stifling peaceful dissent (vandalism and violence are not equal or necessarily related), isn’t really interested in a hollow play-by-play of theoretical issues and responses.

The weekend after this workshop, leaders representing the vast majority of the world’s economy came to Toronto. In response, citizens that are invested in solving all of these problems exercised their guaranteed rights to freedom of peaceful assembly and free speech to implore this gathering of the Most Powerful People In The World to address some of the most troubling ethical issues of our time: Maternal health, foreign aid commitments, the toll global warming will have on both species and the world’s poor, etc. The exact same issues that participants in the inFORMING CONTENT workshop had been hoping to address the week before.

Toronto is still coming to grips with what happened next, but one thing is for certain: Civil rights violations occurred on a massive scale. Amnesty International has already called for a full inquiry and YouTube videos of police brutality have flooded the internet. The lesson from G20 in Toronto is this: If you protest, if you exercise your right to free speech to rectify the world’s imbalances, you will be violently arrested and thrown in a cage without access to a lawyer.

This image shows police who have removed their identification tags confronting and arresting citizens at the designated protest site at Queen’s Park. This is a conscious tactic, also used by police at the 2005 G20 in London, to avoid accountability for human and civil rights violations.

This reality has completely transformed the way I consider the questions raised by the inFORMING CONTENT workshop. Before I was content to consider the ideas from more of an intellectual standpoint, assuming that if I truly threw my resources into solving one of these problems I could have an impact.

I am much more cynical now – uncertain of how to address these great ethical questions of our age.  Clearly our governments don’t want to consider them. Clearly they are willing to throw more money than you can imagine to stifle and silence people who speak out about them. Clearly this is a really big problem for those hoping to affect change.

In Mumbi Tindyebwa Otu’s W.4., a group of eight audience members are taken to a waiting area outside a room full of severely traumatised individuals. Not all the audience is permitted in: some are forced to simply listen to the sound of despair from the outside. Others are invited inside, but end up becoming an inmates in the room themselves. On the other side of G20, this piece speaks best metaphorically about the problems we face as global citizens facing ethical issues.  Those of us on the outside are locked out, and those of us that try to get in are locked in cages.

How do we impact the great ethical issues of our time in this era? Certainly identifying, discussing and analyzing them is part of a response, but that can’t be it. What else should we be doing now in these given circumstances? I have no answers to these questions, but it’s what I’m left thinking about after experiencing two very different weekends trying to address the difficult ethical questions facing the planet.

Approximately 100 people were penned into the intersection of Spadina and Queen from 5:30pm to 9:42pm on June 27th. A number of them were unsuspecting passersby in the wrong place at the wrong time. During most of this saga there were severe thunderstorms. No one was given access to washrooms, many complained their cellphones broke from immersion in such a heavy downpour for such an extended period of time. They were all released unconditionally without charges.

by Michael Wheeler

Well that sucked.

G20 has come and gone and left Canada and Toronto with the bitter taste of militarized rule, decreased civil rights and a communique that asks countries to make massive cuts to social spending to make up for a massive transfer of wealth from the public to private sphere.

Each day had shocking events. Some overplayed by media: How many times can they loop the same image of that police car burning at Bay and King? Some completely under-reported: Squeaky clean Steve Paikin twittered the police brutality at a peaceful protest on The Esplanade was worse than anything he had seen in war zones, yet there has been no other coverage of this event.

As hopefully even a casual observer of this website knows, Praxis Theatre has been spending the past year working on a show called Section 98 (see the icon in the top right corner?). This show began by looking at artists who responded to members of the Communist Party being jailed under Section 98 which allowed authorities to jail and harass anyone they wanted really for “unlawful associations”. In particular, we focused on The Progressive Arts Club, who created a play addressing the erosion of civil rights called Eight Men Speak. The show had a single performance for 1200 people before being shut down by order of Prime Minister Bennett. The performance took place at the Standard Theatre, which was located a few blocks north of the picture above on Spadina Ave.

In both our Fringe Show and  Harbourfront Centre HATCH workshop, we looked also at a number of different challenges to civil rights in Canada, including The FLQ crisis, The Air India bombing, the Afghan detainee situation and yes, Omar Khadr. After this weekend, it seems there is another episode in Canada’s civil rights history to add to our list: G20.

CBC reports that there have now been more arrests this weekend than at the WTO Protests in Seattle or during The FLQ Crisis in Quebec. 900 Canadians found themselves jailed by the largest mobilization of police and equipment in Canadian history.

This video documents police assaulting a journalist and taking his equipment.

Perhaps more significant than the sheer number of arrests was the deliberate and secret maneuvers by the Ontario Provincial cabinet to use an order in council to create a regulation within The Public Works Act, to have the area surrounding the $5.5 million perimeter fence a Charter-free zone. Where as in the rest of Canada you have the right to be free from unreasonable search and seizure, in the area surrounding the fence this suddenly became not the case. Notice of this law will be published in the Ontario Gazette, the official journal of provincial laws, after the summit is over.

Already this law will be subjected to a Charter challenge and both the Globe and Mail and Toronto Star penned scathing editorials condemning the secretive limiting of civil liberties by the Liberal Government without notice or debate. Just to drum in what kind of pre-hysteria consensus there was on this topic, even reactionary columnists like Marcus Gee agreed that this time the state had overstepped its bounds.

News of their decreased access to Charter rights reached Torontonians on Friday morning, one day before small cells of approximately 70 black clad activists using subterfuge and misdirection hijacked a march by more than 10,000 advocates for global justice. I attended the march on June 26th by myself, arriving late for the speeches but just in time to march with my bike and camera phone in tow. The vast majority of the experience was what I would call upbeat, peaceful and extraordinarily well attended. The hundreds of police outside the US embassy just seemed obscene, free hugs were given out at Dundas and University, somebody was smoking a joint, Tibetan activists marched with labour activists who marched with just plain old citizens with no evident affiliation. The number of police visible between Queen and Front at north-south intersections seemed comic at the time.

The first signs of trouble began at the corner of Queen and Spadina where activists were asked to turn away from the summit site and begin marching back to the provincial legislature at Queen’s Park at College and Spadina. A group of hooded activists began to set off flares near the south-west corner of the intersection. Immediately you could feel the mood of the crowd change. I heard a number of plans to vacate the area be made quickly by many, but huge amounts of curious onlookers remained: The whole thing was so crazy it was hard to turn away -hundreds of cops marching like stormtroopers (the Star Wars kind), fireworks, people who looked like ninjas – there was a lot to take in. I was jolted out of this display by a number of individuals running east with purpose down the back alleys that run behind the north side of Queen St. There was an energy to their movements that spooked me and reminded me of protests run amok from my youth. I knew I didn’t need to be there anymore. Got on my bike, started riding home.

Didn’t get there before my Mom and brother both called me and asked me the same question: “Where are you?” They were watching the news and vandalism had begun. (No not violence, vandalism.) I rode home faster to turn on the television. In front of me on the television, where I had removed my k-way pants in front of Steve’s Music not 45 minutes earlier, something terrible was happening: The message that so many of us had just marched to give a voice to was superseded by a small number of what the media are calling “anarchists”, but I think are more accurately termed “nihilists”. I write this because true anarchists have a value system that allows them to determine the effectiveness of their tactics. Orwell fought in Spain against the Fascists with anarchists – these folks are disaffected youth that are into extreme sports and clearly they don’t care if they do Stephen Harper a really big favour.

The other favour they did was to give motivation to the most militant aspects of Toronto Police leadership to mobilize their massive security resources to crack down on Canadians in a way the streets of Toronto haven’t seen since Section 98 was still on the books. Journalists were arrested and had their equipment confiscated on Yonge St., peaceful protesters sitting on the lawn of the sanctioned and designated protest site at Queen’s Park were clubbed and pepper sprayed, demonstrators whose provocation was singing the national anthem were charged and beaten on Queen St. W.

This video shows police beating and pepper spraying activists who returned to the provincial legislature, which was the designated protest zone. This area is in the opposite direction from where the summit took place.

All the places we normally hang out, grab a coffee, do some shopping, became violent zones where the state machinery could capture you, process you, and ship you to a cage. These are simply the incidents we have immediate video footage of hours after G20 has concluded. Reports from those released from the makeshift jail at the film studios on Eastern Ave. paint a grim picture of “pens” crammed with activists that had no access to a lawyer for up to twenty-four hours. Female inmates reported being forced to use the toilet in front of male guards and not having access to toilet paper.

There is virtually no silver lining to hosting G20. None of the things that Canadians consistently say matter to them made the agenda at the G20. The environment, foreign aid, our responsibilities to one another as global citizens – these things all took a backseat to the images and incidents that ripped across the city. No one talked about Why the banks were bailed out. No one talked about Why we refuse to fund life-saving drugs for HIV positive patients in Africa. No one talked about What principals underpin maternal health. No one talked about Why if  it costs the U.N. $1.9 Billion to run year-round and Why it will cost almost the same to host three days of meetings that could have happened at the U.N. anyway. No one talked about What effect climate change will have on the world’s poor.

Every newspaper and media outlet spent the weekend throwing together exposes on “The Black Bloc” and their tactics. Less than 1% of the demonstrators hijacked an entire conversation and thousands of voices. Elements of police leadership jumped at this opportunity and used tactics and laws never before deemed acceptable against law-abiding activists.

Canada has a long history of struggling to secure national and public security while attempting to balance the public’s right to the basic freedoms that are assumed in a Western democracy. This weekend is full of bad omens for those who believe that Charter freedoms should be protected for all Canadians and that those in power can be trusted to preserve them. We have seen the state become a weapon against its own citizens – and the only correct response should be outrage that our leaders don’t safeguard our freedoms with the reverence and respect they deserve. We have lost much and gained nothing.

This video shows police attacking peaceful protesters singing the national anthem.