Praxis Theatre is currently on hiatus! Please find co-founders Aislinn Rose and Michael Wheeler at The Theatre Centre and SpiderWebShow, respectively.

Category: Department of Culture

April 14, 2011, by
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At 7pm tonight, Department of Culture and Project Democracy bringing you The Yes Men at The Royal on College in Toronto.

Entry is by donation, and the doors open at 6:30pm with the show beginning at 7pm.

Click here for the Facebook event page.

Click here to read more about on Torontoist and NOW.

Get there early to make sure you can get in.

September 3, 2009, by
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by Michael Wheeler

A turnout like this means something, you know what, when your first meeting is packed up and its sold out to put it in theatre terms it means you have a hit on your hands. To put it in activist terms it means you are in a movement moment, it means if you organize it they will come. It means you have good timing. That’s the moment we’re in right now.

Naomi Klein addresses the Department of Culture organized Town Hall at The Theatre Centre, September 3rd, 2008.

The inaugural Department of Culture meeting drew hundreds of people to the Theatre Centre on the hottest day of last fall, with people spilling into the lobby and out onto the sidewalk where the event inside was telecast.

Politically, for the arts in Canada, those were some very dark days. The Conservative Government had released a number of ideologically motivated cuts to arts funding over the summer of 2008, while every day the polls showed Stephen Harper cruising to a larger majority government. The notion that Canada “had become more conservative” was being floated as a talking point, and even some of my most progressive friends were starting to reconcile themselves to a bleak five years. Our Town Hall was organized in direct opposition to that notion. We proposed that there was still time to turn this train around and that artists and arts workers could play an integral role in doing so.

The speakers were great, and the turnout was impressive, but what was really key about that meeting was it provided the three absolutely essential resources that our fledging organization needed: Money, volunteers and profile. Money came in the form of individual cash donations straight out of people’s wallets and cheques that came in over the next week. Volunteers were identified with contact info, availability and skill sets by a team entering info into a bank of laptops in the lobby. Profile came from the sheer size and enthusiasm for the event and the clearly serious manner with which our community organized.

1 year ago today, The Theatre Centre was packed to the rafters and out on to the streets. 

We used each of these resources for all they worth every day from September 3rd to October 14th 2008. What was kick-started that night morphed into a national grassroots movement. Some of the actions that came out of our first event were:

  • Departments of Culture were set up independently by likeminded artists across the country.
  • These autonomous ad hoc organizations were tied together in the last week of the campaign by a series of concerts, video contests and theatre pieces, including the first ever national Wrecking Ball in ten Canadian on the same night from coast-to-coast.
  • Not all of the thousands of volunteers across the country relied on art. Online volunteers made our Facebook site the #4 Special Interest Group of the election according to CBC.
  • Swing teams targeted key 905-area ridings holding public meeting, attending debates and distributing information at GO stations and bus stations.

Our biggest electoral success was playing a part in changing the overall ballot question. 2008 was the first time that a question about culture was posed at the leader’s debate. That artists from across the country were united in their opposition to the government in both official languages had some influence on changing the question from: “Is Canada becoming more Conservative?” to a more traditional Canadian election question like: “Is Stephen Harper too ideologically motivated and out of touch with Canadian values to be trusted with a majority government?” On this question the government will fail every time.

The same creative team behind this video by Hooded Fang was the same gang behind this summer’s Fringe hit musical East of Broadway. Nice year guys.

Michael Ignatieff’s announcement two days ago that the Liberal Party would no longer prop up the Conservative Government points to a new campaign soon. Department of Culture is not affiliated with any political party, but clearly this will mark the beginning if a new chapter in arts activism in Canada.

Some of the key questions facing us are:

  • What role will we play this time?
  • How can we involve everyone who wants to participate?
  • Where will our resources come from?
  • Should we have another Town Hall to kick things off?
  • How do you play an effective part in an election if you don’t endorse any political parties? 
  • What is different this election?
  • What is the same?

What do you think? I hope Department of Culture will be revived not just because we support the arts, but because culture is an integral part of a healthy society along with a compassionate social safety net, environmental reform, support for the rights of all Canadians, and many other things our current government opposes. Culture does not occur in a vacuum. 

Whatever your thoughts, stay tuned to departmentofculture.ca for more information. It’s sure to be back up and running shortly. No, you are not experiencing deja vu. Yes, it does seem like this is exactly half over.

Harper’s Ordinary Artists by Rob Baker, Alastair Forbes, and Alex Hatz gets my vote for funniest video of the 2008 campaign.

February 12, 2009, by
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Finding a way to project this image of Department of Culture’s recent Senate appointments was what started the whole (Wrecking) ball rolling for me.


What the heck just happened?
By Michael Wheeler

In a classic case of careful what you wish for, days after wondering aloud to a colleague how anyone ever got to be part of a Wrecking Ball, I found myself at the centre of the technical side of one.

This was hilarious for many reasons. These included:
  • It is possible that some of the alcohol from the Stranger closing night party was still in my system when I arrived at Theatre Passe Muraille on Monday morning.
  • I had no real knowledge about how digital projectors worked, but would be running one.
  • I had never used Powerpoint before, which all of the images I was responsible for would be stored in and manipulated by – on one of two laptops. I would be unable to determine which one until I arrived.
  • As I have stated previously, I believe The Wrecking Ball to be the most exciting thing going on in Canadian theatre right now, and I felt a heavy bias towards not fucking one up.
  • Things got more ridiculous when I ended up writing a report on this experience for The Globe and Mail, which critic J. Kelly Nestruck duly posted on their theatre blog, Nestruck on Theatre.  
This all occurred over 48 hours, and I gotta say: the one thing I am learning about the theatrosphere is that it pays to act fast and be decisive. 

Click the link below to read my Globe and Mail debut:


Click the link below to view a high res-photo of the new DoC Senate: