Volcano’s Africa Trilogy: Part I
After much thought and talk about the lack of content about content on this blog and several others, this series will be an attempt to create an online discussion about the process and product of a massive theatrical undertaking. It is my hope that this will translate to something approximating content about content:
Volcano Theatre’s Africa Trilogy
With some funding from the generous folks at Theatre Ontario, I will be training with Volcano as an Artistic Producer on this project. It’s a really great opportunity to see and share how something of this magnitude goes from an inception to incredibly ambitous production.
Ideally, this series will follow the project to its conclusion for the next year and a half and will have multiple authors representing many of the different perspectives the trilogy will encompass. Volcano Artistic Director, Ross Manson, has been generous enough to be all for me organizing something like this. Thanks Ross.
Volcano’s website describes the project as:
“An international trilogy of plays that will focus on the West’s relationship with Africa.
The three playwrights come from three regions: Africa, Europe, North America. The directors come from different countries within these three continents, thus making the project a six-country, three continent effort.
The theatre artists joining the project are relatively young, and formally experimental – mid or early-career innovators, already with national or international reputations. The starting point is the 2005 series of Massey Lectures given by Stephen Lewis, United Nations special envoy for HIV/AIDS in Africa from 2001 to 2006.”
Binyavanga Wainaina is the winner of the 2002 Caine prize for African literature, and the founding editor of Kenya’s only literary journal, Kwani?. He is one of the most important literary figures of his generation in Central Africa.
Roland Schimmelpfennig is the winner of the 2002 Vienna Nestroy Prize, and the Schiller-Gedächtnis Prize (awarded yearly in Germany for an outstanding literary contribution by a young dramatist). He is one of the most prolific and heralded young dramatists in Europe.
Christina Anderson was identified by American Theatre magazine as one of only fifteen US artists under 30 “whose work will be transforming America’s stages for decades to come.”
Liesl Tommy grew up in a township in Cape Town, South Africa. She studied at Oxford and the Claire Davidson Drama Centre in London, then earned her MFA from Trinity Rep Conservatory in the USA. She has been hailed as “eccentrically imaginative” by the New York Post, and a “standout” by the New York Times.
Ross Manson is a Dora and KM Hunter award-winning theatre director based in Toronto, whose work won the 2006 “Best of Edinburgh” prize at the world’s largest theatre festival. His international award-winning company, Volcano, has been identified by NOW magazine as the “best independent theatre company in Toronto”.
The entire team is currently working with a cast of 10 workshoping the first draft of their three scripts at the Lower Ossington Theatre in Toronto. These workshops are actually the fourth stage of the process following a planning meeting at Toronto’s Gladstone Hotel in November 2007, a research trip to Rwanda and Uganda in March 2008, and a weekend of follow up meetings with the playwrights in New York City in June of 2008.
There is another workshop to follow in the spring of 2009 at Theatre Passe Muraille, and likely much more work between then and when it opens as part of Toronto’s Luminato festival in 2010.
So there should be lots to talk about. Stay tuned for more posts on this project from many different collaborators.
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