Spring is in the air and creative juices are flowing. Below are three videos created by local socio/political talent taking the world into their own hands and making things happen.
1 Trailer for Sarah Ruhl’s The Passion Play
The Passion Play is a massive collaboration between three local indie companies (Outside the March, Convergence Theatre, & Sheep No Wool Productions) who have been laying the groundwork for some time to create epic indie conceived and created production(s).
2 Dave Meslin talks RaBIt on The Agenda
Ranked Ballots are coming to Toronto. Click here to read the proposed timeline of Municipal and Provincial votes that will bring this much needed empowerment to local democracy. Watch the video to see Mez call Steve Paikin a “nerd” and get away with it.
3 The Harold Awards are here
Since 1995 The Harold Awards have come to represent the independent and hard-working spirit of Toronto’s vibrant theatre community – a kind of rabble-rousing alternative to the Dora Awards. To be Harolded is an honour of the highest subversive order.
This year the Harolds are on Monday May 13 at The Monarch Tavern. Hosted by Richard Lee & Lindy Zucker. Tickets only $10 at the door. Follow The Harolds for updates on Facebook and Twitter.
From a performance of “A Steady Rain”, a two-hander about down and dirty Chicago cops starring Daniel Craig and Hugh Jackman that recently opened in NYC.
by Michael Wheeler
The question of how to avoid the beeping and blinging of the proliferation of modern technology within the confines of a performance space continues to gain attention on the heels of two highly bankable stars wrestling with the problem. In a post inspired by the incident on the Time Out New York: Upstaged website, Helen Shaw calls for the use of French cellphone jamming technology in theatres.
This turn off your cellphone (and Ipod) reminder video actually does double-duty, serving as an online media publicity tool for use on their website and on Facebook, which works just fine for CTP’s mostly-teen audience base.
Last year, Manitoba Theatre Centre (MTC) took this problem on by using the carrot instead of the stick: For every performance they had with no interruption by a cellphone, they donated $5 to the Actor’s Fund of Canada on behalf of that evening’s audience.
What do you think the solution is? Should we jam the airwaves, make clever videos that are integrated with the production, or offer incentives? What about people who leave their phone on silent, but vibrate? What about on silent, but causes the display to light up like a flashlight? Or is this whole conversation entirely too stuffy and we should all just learn to relax and accept the occasional interuption?
“After the years and years of weaker and waterier imitations, we now find ourselves rejecting the very notion of a holy stage. It is not the fault of the holy that it has become a middle-class weapon to keep the children good.”
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