Talking to In The Greenroom About #HatchTO

Interview by Ryan Quinn

R: I’m here with Michael Wheeler and Aislinn Rose ofPraxis Theatre who are co-curating the HATCH program at the Harbourfront Center in 2014. Can you tell me a bit about the HATCH program?

A: The HATCH program is through the Harbourfront Center. We took part in it in 2010, and it was a really transformative period for Praxis theatre because it was really our first foray into integrating our online activities with our artmaking activities. That’s why we’re looking at projects for this year’s submissions that are going to be working on some of the same things: incorporating social media into either the communication about the project, integration into the actual creation of the project, or use of social media in the performance of the work. So, essentially what the program is, is an opportunity for a company, or a collective, or an artist to work on a particular aspect of a project that requires a space to experiment in. You get a week’s residency in the Harbourfront’s studio theatre. You really do have the use of that space for the whole week to work on something you couldn’t do in a rehearsal room, or someone’s back yard, or your own apartment. So, for our project, we worked on a piece called Section 98.

M: That was very concise. The only thing I would add to that as to core elements of the residency is that your one week of residency at the Harbourfront studio theatre has to end with some sort of public presentation. However, I think we’re adamant that it’s not about presenting a final work. Hopefully, people are experimenting throughout the week, then that presentation is more a revelation of what that week’s experiment was rather than “here’s our play”. A couple other things that come along with the residency are, firstly, a lot of support from the Harbourfront center that you wouldn’t necessarily get if you were producing your own show, you get marketing support, mentorship, publicity. So, a lot of things that if you were producing yourself, you’d have to come up with the cash for.

Click here to read the rest of the interview on inthegreenroom.ca