HATCH 2014: The Artists

HATCH artistic teams, Harbourfront Centre Communications staff and us, getting together for a little pre-season potluck

As we announced earlier this year, Praxis Theatre is guest-curating Harbourfront Centre’s 2014 HATCH season of new performance experiments. As curators, we were particularly interested in looking at projects that would include experiments in how social media can be included in the development and/or performance of new works.

We’re very happy to say that we have selected our artists for 2014, and while Harbourfront Centre will be launching an awesome new web portal for these artists and their work at HATCH in January 2014, we’re providing you with a sneak peek today of who they are and what they’ll be working on over the next 5 months.

We invite you to take a look, and even engage with their projects online as they develop.

Week #1:
#legacy – Rob Kempson – Core Artist

Why do we yearn to leave a legacy behind? #legacy features Twitter and three women over the age of 65 who are looking to make the most of it.

This interactive performance project brings three women over the age of 65 up-close and personal with social media in general–and the Twitterverse in particular–in order to consider how we might leave a lasting impression—and how it should be hashtagged.

Follow the ladies on Twitter:

@judith_dove
@Joan_Belford2
@McCroq

Week #2:
BroadFish – Melissa D’Agostino – Core Artist

What happens when the promise of a perfect future hangs on the one thing out of your grasp?

BroadFish is a live theatre experiment by acclaimed performer Melissa D’Agostino that integrates folktales, music, improvisation, and motion pictures to explore the thin line between reality and fantasy, relationships and romance, and the power of myth in our everyday lives. By plunging into the wild world of female stereotypes, BroadFish considers traditional attitudes toward relationships, happiness, and romance, investigating how they’ve evolved and degenerated through the Internet, social media, and digital technology.

Week #3:
The Ballad of _______ B – Francisco-Fernando Granados – Core Artist

The Ballad of _______ B brings together a young refugee’s obsession with opera diva Maria Callas and the queerness of the imagination to centre stage.

The performance is conceived as a character study of _______ B, a once “clean-cut, fresh-faced 18-year-old” refugee whose story appears as a vocabulary lesson in the pages of an instructional ESL book. This work marks a radical departure for artist Francisco-Fernando Granados, from action-based, conceptual approaches to experimental explorations that incorporate digital media, narrative, and recitation.

Week #4:
Faster than Night – Digital BlackBox: Vanessa Shaver, Pascal Langdale, Alison Humphrey – Core Artists

Social media billionaire Caleb Smith is on a mission. Racing against a terrible terminal illness, he is embarking on a deep space voyage with the secret goal of cheating time and death. But when something goes horribly wrong, can you help make a gut-wrenching life-or-death decision?

Newly formed Digital BlackBox blends live performance with real-time 3D animation and audience interaction to hone a new approach to storytelling, the first of its kind in the world. The company includes RADA-trained actor, writer, and performance-capture specialist Pascal Langdale; writer, director, and 2009 Elliot Hayes Award-Winner Alison Humphrey; creative producer Vanessa Shaver; and executive producer Jo Singh Brar.