iPhone photo of a recent Toronto Star editorial cartoon by Theo Moudakis
1 – Play Games With Us
“Do you need my bag of miniatures?”
Toronto Fringe Exec. Director Gideon Arthurs
Ever since we started talking about our site-specific Dungeons & Dragons project at this year’s Fringe Festival, theatre people from every part of the industry have been coming out of the closet as former players of the game, with some even revealing they still regularly get together with friends to play.
We’re looking for players for our 6 hour marathon sessions in the basement of Snakes & Lattes, so let us know if you play, or used to play, and if you’re free on July 10th or July 16th. We’ll also be playing a trial game in advance of the fringe to experiment with our live sound and lighting designers, so even if you can make it to a Fringe game, there is the possibility of using you as a guinea pig whilst we quest to save our enchanted donkey. (This is not a joke – we lost our Donkey in the first trial game and we still plan on getting it back.)
2 – Get Locked in a Cage With Us
“Don’t worry – I promise we won’t get arrested.” You Should Have Stayed Home writer and performer Tommy Taylor
We have been rehearsing our 2011 Summerworks show You Should Have Stayed home off-and-on ever since we presented part of it at Buzz in April. Recently, we decided to include a scene that explores the conditions in the g20 detention centre on Eastern Ave. that requires 40 performers. No – that is not a typo: four zero. If you are A) Male and B) want to be in Summerworks – this is your chance.
You don’t need to be an actor, but you do need to be available for 4 rehearsals over evenings and weekends at the end of July, as well as all 6 performance dates (which are also mostly evenings and weekends). We will do some improvisational exercises to get a sense of each other, and Tommy and other detainees will give some presentations about their experiences. Then we will create a 10 minute scene that will be integrated with Tommy’s story. Mostly your job will be to act like someone surprised at and exhausted by being locked in a cage.
In either case all you have to do is send us an email to get the ball rolling to info@praxistheatre.com
If you want to play games make the Subject: D&D Player. Tell us in 150 words or less what your connection to the game is, what you do now, and why you want to play.
If you want to experiment with what it is like to be locked in a 10 x 20 ft cage in a safe theatrical setting make the Subject: G20 Detainee. Tell us in 150 words what you do with your time on this planet and why you’d like top be involved.
I will also be waking up bright and early on Thursday morning to attend the Business for the ArtsBreakfast with Shannon Litzenberger. Live tweets can be followed via the hashtag #bizarts, while Shannon talks to us about the future of arts funding in Canada.
Please feel free to join the conversations by sending questions and comments my way throughout.
“You Should have Stayed Home” the documentary airs tonight on CBC. The play gets workshopped this spring and presented soon after.
by Michael Wheeler
How I Got Arrested and Abused at the G20 in Toronto, is one of the first Facebook notes I can think of that practically everyone I knew had read or had at least heard about. Says a little about the circles I move in, but whatever. I had never met its author, Tommy Taylor, but I knew he was in theatre, and I remember taking a little pride in the fact that the person who had responded most scathingly and appropriately through social media to the G20 debacle was one of us.
So when Tommy contacted me to see if Praxis Theatre would like to collaborate with his company The Original Norwegian to adapt his facebook note for the stage, it only took one beer with him and collaborator Julian DeZotti to ensure we would get along, to jump at the opportunity. As a company dedicated to new works by local artists, many of which have been adaptations, this project made a lot of sense for Praxis Theatre in terms of taking what we do, and pushing it one step further by adapting a html social media document. Throw in that we have heavily leveraged our political and online engagement as a company, and it does seem like an awfully good fit.
To celebrate this new collaboration and I interviewed Tommy on GChat earlier this week.
9:10 PM
me: So what made you choose, “You Should Have Stayed Home” as the name of the piece you have chosen to make about your experience at G20 in Toronto?
9:18 PM
Tommy: The documentary on tonight’s The Fifth Estate on CBC, which I appear in, is also called “You Should Have Stayed Home.” (So now people have commented online that the CBC is being callous, rude or that they are “a government pawn”.) So, I rung in with: “I called it that because that is what most people said to me afterward.”
The documentary explores what is wrong with that statement–it attempts to see past the sensationalizing of broken windows and burning cars to show the truth of what happened that weekend. “You Should Have Stayed Home” is not the literal or glib title you might think. I was held in detention for 24 hours and it was horrible, but what I found to be more horrifying was the way average Canadians reacted with apathy and indifference… thus “You Should Have Stayed Home”.
9:19 PM
me: When you say commented online – do you mean on your Facebook page or other places?
9:21 PM
Tommy: Oh, the Facebook. That’s where a lot of G20 talk happens. Different groups, my page, other activists’ pages, Dalton McGunity’s page…
Tommy: Facebook is how everyone heard about it. Since I published it on Tues. June 29 I have received about 5,000 messages from about 21 countries and it’s been translated into 7 languages by various people. I went from around 300 ‘friends’ to around 1,300.
9:26 PM
me: How long after G20 did you write it and why did you decide to?
9:27 PM
(i also love that we have to qualify statements to clarify that actions were taken by people not computers)
G20 Detention Centre
9:37 PM
Tommy: Well, after I got out of the detention centre on Sunday night around 10pm, I hadn’t slept for 40 hours, was cold, starving, dehydrated, no means to get home, no idea where my girlfriend was and running the whole thing through my mind so I wouldn’t forget. And it was raining (our apartment flooded while we were caged up – amazing end to a wonderful weekend in T.O.). Having made it home, I made phone calls to loved ones, changed my wet socks, made notes on badge numbers, names and times, and I still couldn’t sleep.
I got on the computer very early Monday morning and started typing until I was finished Tuesday morning at 11:07am. And why Facebook? I was never a huge fan of Facebook outside of using it for marketing/promotion theatre-wise, but I just wanted to get this out there as fast as possible and to as many people as possible. I also wanted it to get to people who knew me and would take the time to read it. I was afraid that everyone was just seeing the Yonge street mess and missing the important stories from G20.
9:38 PM
me: Kerouack would like this creative process.
9:40 PM
Tommy: Toronto earthquake to signal the start of G20, a flood to end it. Eat that pathetic fallacy King Lear.
me: So, now you have decided to get your theatre company The Last Norweigan, together with Praxis Theatre to make a play based on your note? Why make a play?
Tommy with wristband and evidence bag wearing a T shirt fraught with irony
Tommy:The Original Norwegian….
Awkward.
kidding
9:41 PM
me: I wonder if i will leave that in or not…
9:42 PM
Tommy: Sounds like a Scandinavian take on the Last of the Mohicans
9:43 PM
me: I would rather it was a Scandinavian take on The Last Starfighter
Tommy: Or a Scandavian take on The Last Unicorn.
9:44 PM
That brings us back to the play I think.
9:58 PM
Tommy and Kate went to get slushies and got home a little later than they anticipated.
Tommy: It’s going to be a funny show. After I got out I was angry. Very angry. I did the classic movie angry-guy-punching-a-wall, I was a wee bit broken coming out of there. Then I began to write, began to react in a way that I know how: creating and using humour – that’s how I work through things. Which sounds like lame artsy talk I know, but too bad because it’s true.
Creating a show about the experience was rattling in my head as well, but I needed to write about it first. At the time I wrote that note my friend and theatre cohort Julian DeZotti was away at 1,000 Islands Playhouse. When he finally read about it he got an email to me stating “We’re going to turn this into show! This is outrageous!” and other words of encouragement. Other people said similar things to me about “you gotta make this a play” and in my mind I was saying “I know! I will!”
Then came activism and educating myself on what made G20 possible. There is such a never-ending stream of important causes and information that I got very swept up. It took me about 6 months to react to this as an artist. Which for me, is nuts. I always have my artist hat on for every experience, it’s all fuel for creation – but this got to me on a whole new level. I want to share the insanity of that weekend, why it’s changed me and all the insanity that’s come afterward. A lot of it still makes me laugh. And cry. Laugh-Cry.
me: And so now there is this CBC doc coming out about G20 that you appear prominently in and is named after the piece of theatre you have chosen to make about it. This is pretty good press for a show that hasn’t been made yet when and where can people check it out?
10:17 PM
Tommy: The CBC doc is Fri. Feb 25th at 9pm. The Facebook note went viral and my story appeared a lot of places (online, print, TV). I wound up speaking at a number of rallies (in fact, I got engaged to my beautiful girlfriend and fellow detainee Kate on the Canada Day Rally the week after G20) and I kind of became popular in the world of G20 Toronto.
Lets get engaged!
(Quick note – the CBC website for the doc already has 23 comments and it hasn’t even aired. Here’s a user comment: “as of now it is well established beyond any doubt that all those so called protesters were ‘Bandits In Disguise’ out to achieve their sole objective of creating mayhem and spreading chaos”)
10:19 PM
me: Oh yeah – you and your fiancee Kate got engaged right after this all went down. So really this both is a comedy and a love story then.
10:21 PM
Tommy: Aren’t all love stories comedies, Michael?
me: Fair. Would you take a pic of yourself with your computer for the top of the post?
This spring we will be holding a 3-day workshop of You Should Have Stayed Home, culminating in a public reading of some sort on the final evening. Stay tuned to this website and here for more details.
We hope to see you there and get feedback on what the heck should and should not be in this piece of theatre. We are going to move fast on this one as a three-year workshop process isn’t going to be useful to anyone.
“After the years and years of weaker and waterier imitations, we now find ourselves rejecting the very notion of a holy stage. It is not the fault of the holy that it has become a middle-class weapon to keep the children good.”
Ever since we started talking about our site-specific Dungeons & Dragons project at this year’s Fringe Festival, theatre people from every part of the industry have been coming out of the closet as former players of the game, with some even revealing they still regularly get together with friends to play.
We have been rehearsing our 2011 Summerworks show You Should Have Stayed home off-and-on ever since we presented part of it at Buzz in April. Recently, we decided to include a scene that explores the conditions in the g20 detention centre on Eastern Ave. that requires 40 performers. No – that is not a typo: four zero. If you are A) Male and B) want to be in Summerworks – this is your chance.
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