The post-show discussion will be an opportunity to reflect on the play and the G20 experience, to talk about the frailty of police accountability mechanisms and to discuss broader issues surrounding law enforcement.
Photo from CCLA's June 2011 Panel at U of T's Faculty of Law - G20: Lessons Learned, Messages Lost
Tommy Taylor, playwright/performer of You Should Have Stayed Home Ajamu Nangwaya, labour lawyer specializing in police accountability Nathalie Des Rosiers, General Counsel of Canadian Civil Liberties Association
Free // Snacks and drinks will be provided.
7:30 Performance: The Theatre Centre
Post-show panel: Conversation Room at the Great Hall
1087 Queen Street West
Wednesday, August 10th
7:30pm show
9pm panel
Moderator:
Emily Burke, managing editor, The Mark News
Panelists: Tommy Taylor, playwright/performer of You Should Have Stayed Home Ajamu Nangwaya, labour lawyer specializing in police accountability Nathalie Des Rosiers, General Counsel of Canadian Civil Liberties Association
Midnight Show: 40 people in the cage
Aug 12th @ midnight
Photo by Will O'Hare
About a month ago we made the decision to put forty people in the cage with Tommy for a portion of the show. Our approach to the piece changed in a lot of ways after that, including putting a desk in the middle of the stage, so we ended up needing about 27 performers to make room for our new approach.
Beyond the practicalities of bodies in space, we felt it was the right decision artistically as what we were creating wasn’t living anywhere close to realism.
Why 40? Because that is the number of people who were in Tommy’s cage, which is the exact same dimensions of our set at The Eastern Avenue Detention Centre.
So we have decided to pursue this approach for one show only – The Midnight Show! Joining our volunteer detainees will be members of the production team, friends of the show and some members of the theatre community. For one night only, lets look at what 40 Canadian citizens stuffed into a metal cage with no access to water looks like.
Final Show
August 13 @ 10pm
This is probably our best show time and the last show of the run. It’s gonna be packed. Buy in advance, or show up early to get in. They hold 1/2 of the tickets to be available at the door 1hr before the performance.
Photo by Will O'Hare
2 – The critical response thus far
Globe and Mail theatre critic J Kelly Nestruck tweeted immediately following the opening night show
So far we have received two reviews for the show and they are, well, contradictory. Meyerhold would be proud!
NOW Magazine‘s Jordan Bimm reviewed the show, giving it NNN, but was disappointed with the show’s choice to have Tommy tell his story instead of live it in terms of performance style.
“The adaptation could go further – with more parts acted than recounted – but as it stands this is a sad but important piece of Canadian history.”
Meanwhile S. Bear Bergman reviewed the show for Mooney on Theatre (which does not rate shows out of 4 or 5) and was enthusiastic about the choice, comparing the performance style to Spalding Gray:
“Tommy Taylor’s You Should Have Stayed Home, which has more than lived up to its pre-SummerWorks hype…YouShould Have Stayed Home is in many ways the truest testament to the power of a likable narrator.”
So there you have it, the only way to weigh in on this is to come check it out.
Back in the winter, Tommy was interviewed as one of four subjects that were focused on in a CBC Fifth Estate documentary about G20, during which Tommy told CBC about his plan to make a play about his experience. Low and behold – when the show airs, it shared the same name as the play Tommy was planning on creating (plus the word AT).
We’re not complaining – this was a great publicity boost for the show and the documentary was very well received. So much so that it was just nominated for a Gemini award for best writing in a documentary. Congrats to journalist Gillian Findlay on her nomination for bringing some of the consequences of G20 Toronto to viewers across the country.
Earlier this year I had a conversation on twitter about social media, the arts, and audience development. One of the topics that came up was tweeting during actual performances. Many suggested that twitter didn’t belong in the theatre during a show, thinking it would pull the tweeters out of the performance and distract others in the audience.
When I asked a first-time theatre-goer who had been brought to the theatre via Twitter what she thought, she said tweeting would have made her feel more engaged and that she really wanted to know what other audience members were thinking throughout the show.
While some tweeters said Canadian theatre-makers were woefully behind the times when it comes to integrating social media in their work, some were adamant that tweeting during a show was a bad idea. Having already experimented with a show that incorporated live-texting throughout, I was adamant that it ought to at least be tried.
So here we are with our twitter-friendly performance of You Should Have Stayed Home at SummerWorks. We’re offering dedicated tweet seats, at the back of the audience so as not to be distracting for others, where tweeters can tweet away using our hashtag #G20Romp. All we ask is that you turn off any feature that makes a sound or vibrates, and darken your screens as much as possible – in a dark theatre you don’t really need much light.
Not sure what you’d tweet about? Our hashtag has already been in effect for some time, so here’s some of the conversation we’ve already been having.
Jonah Hundert and Praxis Theatre chat post-opening night:
Jonathan Goldsbie had a few thoughts after opening night as well:
We were pleased to have Davenport MP Andrew Cash join us for opening night and the SummerWorks opening night party after the show:
You Should Have Stayed Home performer/playwright Tommy Taylor with The Honorable Andrew Cash, Member of Parliament for Davenport
Look for the marked tweet seats in the back rows, where you’ll also find the previously mentioned requests about turning off sounds, vibrations, and lowering lights.
After the performance, we’ll be wanting to chat some more, both about the show and how you felt about tweeting during the show. Let us know if you met anyone new in the audience because of twitter!
Not a tweeter? Don’t feel left out.
We’re always happy to continue post-show discussions here in the comments of the blog. We welcome and look forward to your feedback.
If you’re not a tweeter but you are interested in this live-tweeting experiment, you can follow the hashtag even without a twitter account by clicking here.
“After the years and years of weaker and waterier imitations, we now find ourselves rejecting the very notion of a holy stage. It is not the fault of the holy that it has become a middle-class weapon to keep the children good.”
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